零一 Others 假面骑士灭亡迅雷

　　经历生死的凯特尼斯（詹妮弗·劳伦斯 Jennifer Lawrence 饰）和皮塔（乔什·哈切森 Josh Hutcherson 饰）得到了74届饥饿游戏冠军享有的一切待遇，但是两人的关系变得很尴尬，凯特尼斯无法放下昔日男友盖尔（利亚姆·海姆斯沃斯 Liam Hemsworth 饰），甚至还想要跟他远走高飞。凯特尼斯和皮塔越来越受到人民的欢迎，加上他俩假扮情侣的事情激怒了斯诺总统（唐纳德·萨瑟兰 Donald Sutherland 饰），他联合新的游戏设计师（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）开展了25年一届的“世界级限赛”，要求抽出12个区的历届男女冠军各一人参加，旨在杀死凯特尼斯。皮塔为了保护凯特尼斯，代替黑密曲（伍迪·哈里森 Woody Harrelson 饰）参赛，一对“恋人”又踏上了征程。在赛事中二人结交了不同区的盟友，同时皮塔继续对凯特尼斯表露真情，而她对皮塔的态度也有所变化，可惜事情并不像他们想象的一样，等待他们的只有阴谋。

　　外卖小哥叶小光无意间撞破银行劫匪团伙的秘密而被追杀，唯一的妹妹楚楚也在爆炸中身负重伤变成植物人，叶小光悲痛万分企图自杀，被从天而降的小铁甲所救。小铁甲的主人是来自仙界的林思齐，叶小光是林思齐在凡间的分身。林思齐的爱人笙歌被妖道的柳怀寒所杀，复仇心切的林思齐希望得到叶小光的帮助，并承诺可以治好他妹妹的病，叶小光为了唤醒妹妹答应帮林思齐复仇。两人没有想到的是，这场跨越三界的混战打破了宇宙间的平衡，唤醒了因与柳怀寒跨界相爱而被封禁在天界监狱里的程天。当叶小光和林思齐以为风波已经平息的时候，更大的危机正在向他们逼近。

　　《狩猎》是一部追击惊悚影片，讲述了偶然在荒山发现金矿的猎人们却引发了一起事故，而为了抓住目击到事故现场的老猎人，展开了16小时的追击战。

　　一群前特种部队特工（本·阿弗莱克、奥斯卡·伊萨克、查理·汉纳姆、加内特·赫德兰和佩德罗·帕斯卡饰演）重聚，计划在南美一个人口稀少的多边境地区实施抢劫。这些无名英雄曾在各自的职业生涯中享有声望，但那都是为国家而战，这是他们第一次为自己承担这种危险的使命。但是，当事件发生意想不到的转折，他们无法逃脱危险时，必须展开一场史诗般的生存之战，而此时他们的技能、忠诚和道德也几近崩溃。本片由荣获奥斯卡金像奖提名的 J·C·尚多尔（《商海通牒》《一切尽失》《至暴之年》）执导，由尚多尔和奥斯卡金像奖得主马克·鲍尔（《拆弹部队》《猎杀本·拉登》）共同担任编剧。

　　燕赤霞是《聊斋》系列中《倩女幽魂》篇章的经典人物，该故事讲述了燕赤霞在成为捉妖师之前只是一名无父无母的小混混，后来加入捉拿赤狼妖兽的团队，最终解开了自己的身世，消灭了赤狼妖兽。

　　1944年末，美军P-51野马战斗机飞行员弗兰克·罗斯中尉迫降在敌人的后方，上尉罗伯特·海耶斯奉命指挥一个全非裔美国人的中队、著名的第 761 “黑豹”坦克营去营救

　　A black market marijuana dealer tries to make one final score before getting squeezed out of the business when cannabis becomes legal.

　　刚毅的杰洁·柯林斯上尉（埃尔莎·帕塔奇饰）经历了残酷的现实，在被迫调离五角大楼的梦想岗位后，被派遣负责太平洋中部一个孤立的核导弹拦截基地。当联合进攻同时威胁到基地本身时，柯林斯与蛊惑人心的亚历山大·凯塞尔（卢克·布雷西饰）狭路相逢，凯塞尔是一名前美国军事情报官员，意图实施一项难以想象的计划。时间仅剩下几分钟，柯林斯必须利用她多年的战术训练和军事专业知识来决定她可以信任谁，并阻止凯塞尔和他的秘密雇佣兵完成其扭曲且可怕的任务。
　　《终极拦截》由马修·赖利执导，马修·赖利和斯图尔特·贝亚蒂耶共同担任编剧。迈克尔·布恩担任制片人，监制团队包括马修·斯特里特、斯图尔特·贝亚蒂耶、克里斯·海姆斯沃斯、克里斯托弗·马普、罗伯特·斯拉维耶罗、凯茜·摩根和彼得·D·格雷夫斯。主演阵容包括亚伦·格伦尼、梅恩·梅塔、瑞斯·穆尔东、贝琳达·琼卜维、马库斯·约翰逊、科林·弗瑞尔斯和佐耶·卡里兹。

　　张天保一家被仇家灭门幸免于难，经过多年的准备，他开始寻求正义。 然而，在他去行刺仇人时，却遇到了和自己青梅竹马的公主王玉凤和自己的亲生兄弟王仁义。王玉凤记得很她小时候很好的伙伴，帮助张天保脱困多次，但弟弟的记忆没有了哥哥的存在，处处针对张天保，张天保不忍伤害弟弟，寻求触发王仁义的某些回忆。王世充当上了皇帝，对王仁义有了戒心，开始对付王仁义。王仁义也明白了真相，自己是张天永。在王仁义就要被杀死的时候，张天保来了，救了王仁义。王玉凤也心灰意冷，出家做了尼姑。

　　World renowned journalist Sara Ogden is traversing the world in pursuit of carriers of a fatally dangerous "Stamp of Cain" in order to prevent seemingly unrelated events such as mass murders, turmoil, revolutions and chaos. She doesn't even suspect how close she is to the edge of the abyss, when in her search she ends up in Belarus to meet face to face with the one, whom she has been searching for her entire life.

　　青龙堂主安如龙恃众横行，劫掠烧杀，山东地带被蹂躏至永无宁日，是故「山东响马」，闻者魄散魂飞。游侠燕铁衣返小镇鹿寨觅女友铁玲玲，见山东响马副首独腿狼率阎罗刀、马大海等至，燕激于义债，出手杀独、阎等，仅马一人幸免。镖师孙坚押饷银至小镇，夜宿于此。入夜，燕发现玲归家，久别重逢，玲诉与母避于山上，母害风寒，故冒险返家多取被褥。燕护送玲出寨，途中，玲为马劫走。燕返镇，告孙以欲借镖银，引响马至。孙大怒，遂与燕战，但为燕制伏。孙无奈，允之。安率众而至，以玲要胁，进寨掠镖车而去。原白银已于夜间给偷龙转凤，藏与酒馆内。燕询安歇息处，独往向安挑战。燕以轻功稍胜一筹，杀安于破庙，为民除害，与玲结为良缘，共享太平。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.